Concerts / projects – martinbauck.no

Upcoming projects

New piece for Ensemble Temporum, supported by Arts Council Norway.
New piece for Heather Roche (clarinet) and Eva Zöllner (accordion), supported by Arts Council Norway.
New piece for solo baritone saxophone for Anja Nedremo, supported by Fond for lyd og bilde.

2023:

2023–06–08: Premiere of Okeanos for bass clarinet, cello and piano, performed by Mimitabu, at Gamle Raadhus Scene, Oslo, Norway.
2023–06–08: Performance sfumato for violin and cello, performed by Ensemble Temporum, at Klubben, Kristiansand, Norway.
2023–04–27 to 2023–04–30: Performances of K., a music theatre piece by BW Bauck/Winterhalder, at Rom for Dans, Oslo, Norway.
2023–03–24: Performance of vær jord nå og aftensang for string quartet and electronics, performed by Oslo String Quartet at Sentralen, Oslo, Norway.
2023–03–22: Premiere of vær jord nå og aftensang for string quartet and electronics, performed by Oslo String Quartet in Kammersalen, Horten Kulturskole, Norway.
2023–02–16 to 2023–02–18: Premiere and performances of K., a music theatre piece by BW Bauck/Winterhalder, at Spriten Kunsthall, Skien, Norway.

Some earlier concerts

2022

2022–09–24: Performance of tostados en córdoba en medio de la noche for piano quartet, performed by Sanae Yoshida and Ensemble Temporum in Kulturkirken Jakob, Oslo, Norway, during the Ultima Festival.
2022–05–26: Performance of hoots! for solo violin, performed by Marco Fusi at Kalliosali in Helsinki, Finland.
2022–05–24: Performance of hoots! for solo violin, performed by Marco Fusi in Stockholm, Sweden.
2022–05–23: Performance of hoots! for solo violin, performed by Marco Fusi at 3:a våningen in Gothenburg, Sweden.
2022–05–21: Performance of hoots! for solo violin, performed by Marco Fusi at Sentralen in Oslo, Norway.
2022–03–23: Launch of audio drama Kjøtt, made in collaboration with Nelly Winterhalder (playwright) and Gisle Hass (actor), at Kulturhuset, Oslo, Norway.
2022–03–04: Performance of venetian blind dates for saxophone quartet, performed by JÓR Saxophone Quartet at Mengi, Reykjavík, Iceland.
2022–03–01: Performance of venetian blind dates for saxophone quartet, performed by JÓR Saxophone Quartet in Kampen kirke, Oslo, Norway.
2022–02–28: Premiere of venetian blind dates for saxophone quartet, performed by JÓR Saxophone Quartet in Mariakirken, Bergen, Norway.

2021

2021–11–21: Performance of Irrganger for ensemble by Aksiom, in Kampen kirke, Oslo, Norway.
2021-11–09: Performances of La promende du bœuf gras for double bass and electronics and ghostly light on the tortured face for violin and double bass, performed by Inga Margrete Aas and Vilde Sandve Alnæs in Kulturkirken Jakob in Oslo, Norway, during during TTCM’s Nordic Ensemble Collective tour in collaboration with Mimitabu (SE) and Union (FI).
2021–11–07: Performances of La promende du bœuf gras for double bass and electronics and ghostly light on the tortured face for violin and double bass, performed by Inga Margrete Aas and Vilde Sandve Alnæs at Cinnober Teater in Gothenburg, Sweden, during during TTCM’s Nordic Ensemble Collective tour in collaboration with Mimitabu (SE) and Union (FI).
2021–11–06: Premiere of La promende du bœuf gras for double bass and electronics and performance of ghostly light on the tortured face for violin and double bass, performed by Inga Margrete Aas and Vilde Sandve Alnæs at Cinnober Teater in Gothenburg, Sweden, during TTCM’s Nordic Ensemble Collective tour in collaboration with Mimitabu (SE) and Union (FI).

2020

2020–10–06:Performance of The center cannot hold for solo accordion by Peter Katina at Viola Center for Arts in Prešov, Slovakia.
2020–10–03: Performance of The air from afar for solo cello by Christina Meißner in Söderhöjdskyrkan, Stockholm, Sweden.
2020–10–01: Performance of The air from afar for solo cello by Christina Meißner in Hagakyrkan during Levand Musik Festival in Gothenburg, Sweden
2020–09–18: Performance of The air from afar for solo cello by Christina Meißner at the Ispariz release concert in Stadtkirche, Weimar, Germany.

2019

2019–12–04: Premiere of tostados en córdoba en medio de la noche for piano quartet, performed by Sanae Yoshida/Ensemble Temporum in Majorstuen church, Oslo, Norway.
2019–12–01: Performance of vela for alto saxophone, accordion and double bass by Poing at DOX during Contempuls in Prague, Czech Republic.
2019–11–09: Performance of The air from afar for solo cello by Christina Meißner in Naumburg Cathedral, Naumburg, Germany.
2019–11–08: Performance of The air from afar for solo cello by Christina Meißner at Werkcafé in Leipzig, Germany.
2019–11–03: Performance of The air from afar for solo cello by Christina Meißner at Schloss Burgk in Thuringia, Germany.
2019–10–16: Performance of The air from afar for solo cello by Christina Meißner in Scheidegg, Allgäu, Germany.
2019–10–11: Performance of The air from afar for solo cello by Christina Meißner at Künstlerische Abendschule, Jena, Germany.
2019–08–12: Performance of The air from afar for solo cello by Christina Meißner in Meldorfer Dom, Meldorf, Germany.
2019–08–10: Premiere of hoots! for solo violin, performed by Marco Fusi at Kalv Church, Kalv Festival in Kalv, Sweden.
2019–06–25: Performance of fretted with golden fire for solo guitar, performed by Kobe Van Cauwenberghe at Unerhörte Musik in Berlin, Germany.
2019–06–11: Performance of nocturne for K. by Aksiom and Njyd, at Bidrobon/Biermannsgården in Oslo, Norway.
2019–06–10: Performance of nocturne for K. by Aksiom and Njyd, at Koncertkirken, Copenhagen, Denmark, during Klang Festival 2019.
2019–06–09: Premiere of nocturne for K. by Aksiom and Njyd, at DJM in Aarhus, Denmark.
2019–03–17: Performance of The air from afar for solo cello by Christina Meißner in Propstei St. Walburge, Werl, Germany.
2019–03–16: Performance of The air from afar for solo cello by Christina Meißner in Evangelische Kirche Orsoy, Rheinberg, Germany.
2019–03–15: Performance of The air from afar for solo cello by Christina Meißner in Antoniterkirche, Cologne, Germany.
2019–03–14: Performance of The air from afar for solo cello by Christina Meißner in Kulturkirche Heilig Kreuz, Bottrop, Germany.
2019–03–10: Performance of The air from afar for solo cello by Christina Meißner in Barockkirche Zwillbrock, Vreden, Germany.
2019–03–09: Performance of The air from afar for solo cello by Christina Meißner in Moers-Kapellen Dorfkirche, Moers, Germany.
2019–02–19: Premiere of Kafkamaskin (en drøm), performed by the composer at Forum Stadtpark, Graz, Austria.
2019–02–16: Premiere of vela (rev. version of veglia) for alto saxophone, accordion and double bass by Poing at Kunstnernes Hus in Oslo, Norway.
2019–01–11: Performance of The air from afar for solo cello by Christina Meißner in Zionskirche (Bethel), Bielefeld, Germany.

2018

2018–11–25: Performance of The air from afar for solo cello by Christina Meißner in Løgum Abbey Church, Løgumkloster, Denmark.
2018–11–04: Performance of The air from afar for solo cello by Christina Meißner Parish Church of St. Lawrence, Grefrath, Germany.
2018–11–03: Performance of The air from afar for solo cello by Christina Meißner in Kapelle im Josefshaus, Krefeld, Germany.
2018–11–02: Premiere of The air from afar for solo cello by Christina Meißner in Church of St. Dionysius in Duisburg, Germany.
2018–09–23: Performance of Arpitan moon for bass flute, clarinet, violin and cello by Ensemble Lemniscate at La Voirie in Biel/Bienne, Switzerland.
2018–09–21: Performance of Arpitan moon for bass flute, clarinet, violin and cello by Ensemble Lemniscate at Le CAP in Bern, Switzerland.
2018–09–20: Performance of Arpitan moon for bass flute, clarinet, violin and cello by Ensemble Lemniscate at Kunstraum Walcheturm in Zürich, Switzerland.
2018–09–19: Premiere of Arpitan moon for bass flute, clarinet, violin and cello, performed by Ensemble Lemniscate at Druckereihalle in Basel, Switzerland.
2o18–05–30: Performance of Misantropi IIIb for ensemble by Aksiom at Borups Højskole during Klang Festival in Copenhagen, Denmark.
2018–04–07: Premiere of Stanza for one performer by Jennifer Torrence at Sorialab, Oslo, Norway.
2018–01–27: Performance of fretted with golden fire for solo guitar by Ole Martin Huser-Olsen at Galleri F15 in Moss, Norway.

2017

2017–12–09: Performance of kopenhagener stille for solo clarinet, performed by Heather Roche in London, Great Britain. Details TBC.
2017–11–14: Performance of wie tau von dem frühgras for 7 instruments by Ensemble contemporain de Montréal at Salle de concert du Conservatoire, Montréal, QC, Canada.
2017–11–07: Premiere of Misantropi IV for soprano, theorbe, baroque violin and baroque cello, and performances of wie tau von dem frühgras for 7 instruments and sfumato for violin and cello, performed by Ensemble neoN at Schafteløkken in Oslo, Norway.
2017–11–06: Performance of wie tau von dem frühgras for 7 instruments by Ensemble contemporain de Montréal at The Roundhouse in Vancouver, Canada, during ISCM World New Music Days 2017.
2017–10–14: Performance of marsyas and apollo by Jonas Olsson at NorrlandsOperan, Umeå, Sweden.
2017–10–03: Performance of kopenhagener stille by Heather Roche at Levande Musik in the Haga Church, Gothenburg, Sweden.
2017–09–17: Premiere of marsyas and apollo by Jonas Olsson at Utzon Center, Aalborg, Denmark.
2017–08–27: Performance of lago maggiore for solo bass clarinet by Madison Greenstone at Vapaan Taiteen Tila in Helsinki, Finland.
2017–08–25: Performances of fretted with golden fire for solo guitar by Ole Martin Huser-Olsen and lago maggiore for solo bass clarinet by Madison Greenstone at the Vigeland Mausoleum in Oslo, Norway.
2017–08–24: Premiere of Ingrid Liavaag’s MELP, including music from ghostly light on the tortured face for violin and double bass performed by Vilde&Inga, at Bærum Kunsthall, Bærum, Norway.
2017–08–01 2017: Premiere of nightmares. bonaria for ensemble, performed by Talea Ensemble in New York City, NY. Details TBC.
2017–07-31: Performance of lago maggiore for solo bass clarinet by Madison Greenstone at Scholes Street Studio in New York City, NY.
2017–07–27: Performance of lago maggiore for solo bass clarinet by Madison Greenstone at Silo City in Buffalo, NY.
2017–06–30: Premiere of bird for string quartet, performed by Quatuor Diotima at Centquatre in Paris, France, during ManiFeste.
2017–06–21: Premiere for ghostly light on the tortured face for violin and double bass, performed by Vilde&Inga at Biermannsgården in Oslo, Norway.
2017-04-06: Premiere of lago maggiore for solo bass clarinet, performed by Madison Greenstone at UCSD in San Diego, CA.
2017-02-18: Performance of fretted with golden fire for solo guitar by Zsombor Sidoo at Forum Stadtpark during Impuls Festival in Graz, Austria.

2016

2016–06–02: Performance of sfumato for violin and cello by Emilie Lidsheim (violin) and Ingvild Sandnes (cello) at Augusta’s in Oslo, Norway.
2016-05-06: Performance of sfumato for violin and cello by Aksiom at Biermannsgården in Oslo, Norway.
2016–04–10: Performance of The center cannot hold for solo accordion by Frode Haltli in Akershus Slottskirke, Oslo, Norway.
2016–03–13: Performance of wuthering heights [résilience 1], oder laufende verhandlungen über die ewigkeit by asamisimasa at KODE 4 in Bergen during Borealis. More info.
2016–03–05: Premiere of wuthering heights [résilience 1], oder laufende verhandlungen über die ewigkeit by asamisimasa at Caféteatret in Oslo. Bergen. More info.

2015

2015–11–22: Premiere of respiro for choir and cello, performed by Ensemble 96, Nina Karlsen (cond.) and Inga Byrkjeland (cello) in Fagerborg kirke, Oslo, Norway.
2015–11–12: Performances of kopenhagener stille for clarinet (by Heather Roche), fretted with golden fire for guitar (by Ole Martin Huser-Olsen) and Misantropi I for violin, guitar and double bass (by Vilde S. Alnæs, Ole Martin Huser-Olsen and Inga M. Aas) at Biermannsgården in Oslo, Norway.
2015–11–07: Performance of fretted with golden fire for guitar by Ole Martin Huser-Olsen at Høstriss Festival at Kulturhuset Gleng in Sarpsborg,, Norway.
2015–09–26: Performance of Misantropi IIIb and some arrangements of J. S. Bach’s Die Kunst der Fuge by Aksiom at Caféteatret, Oslo, Norway.
2015–08–02: Performance of fretted with golden fire for guitar by Ole Martin Huser-Olsen in Lista, Norway. Exact place TBC.
2015–06–05: Premiere of inner for soprano, violin and indian harmonium, performed by Vollen United (Elisabeth Holmertz/Karin Hellqvist/Kenneth Karlsson) at Fabrikken in Oslo, Norway. More info.
2015–05–30: Premiere of hausmusik, performed by Cikada Ensemble in Koncertkirken, Copenhagen, Denmark. More info here and here.
2015–04–18: Performance of veglia, version for flute, saxophone and accordion, performed by Trio Nedrémo in Hiroshima, Japan.
2015–04–14: Performance of veglia, version for flute, saxophone and accordion, performed by Trio Nedrémo in Tokyo, Japan.
2015–03–28: Performance of kopenhagener stille for clarinet, by Madison Greenstone at Eastman School of Music in Rochester, NY.
2015–03–08: Performance of veglia for soprano saxophone, accordion and cello, performed by Stefanos Sokianos, Yngvild Ruud and Marie Louise Lind during the PULSAR festival in Copenhagen, Denmark. More info.
2015–03–05: Premiere of the revised verison of Misantropi IIIb, performed by Scenatet and Rei Munakata during the PULSARfestival in Copenhagen, Denmark. More info here and here.
2015–02–23: Performance of kopenhagener stille for clarinet, by Madison Greenstone at KUG during Impuls Festival in Graz, Austria. More info.
2015–02–23: Premiere of dnb for bass flute, bass koto and shoebox, performed by Katrin Szamatulski, Miyama McQueen-Tokita and Christian Smith at KUG during Impuls Festival in Graz, Austria. More info.
2015–02–21: Premiere of veglia for soprano saxophone, accordion and cello, performed by Tadayoshi Kusakabe, Ghenadie Rotari and Hanna Kölbel at Forum Stadtpark during Impuls Festival in Graz, Austria. More info.

2014

2014–12–17: Premiere of kopenhagener stille for solo clarinet, performed by Heather Roche at the Canadian Music Centre in Vancouver, Canada. More info.
2014–09–30: Premiere of the fretted with golden fire for solo guitar by Ole Martin Huser-Olsen at Unerhörte Musik in Berlin, Germany. More info.
2014–09–15: Pre-premiere of the first movement from fretted with golden fire for solo guitar by Ole Martin Huser-Olsen, at Ny Musikk during the Ultima festival in Oslo, Norway. More info.
2014–08–30: Performance of tierhaft. engelsgleich for ensemble, by Mimitabu at IAC during the UNM festival in Malmö, Sweden. More info.
2014–07–21: Performance of wenn es winter ist, by Andreas Borregaard, Mikkel Sørensen and others at Bornholm, Denmark, during Bornholms Musikfestival. More info.
2014–07–12: Performance of wenn es winter ist, by Andreas Borregaard, Mikkel Sørensen and others at Gjethuset, Frederiksværk, Denmark, during Frederiksværk Musikfestival. More info.
2014–06–26: Second performance of sfumato, by Oda Gihle Hilde (violin) and Ulrikke Henninen (cello) at Galleriet in Sortland, Norway. More info.
2014–06–25: Premiere of sfumato, performed by Oda Gihle Hilde (violin) and Ulrikke Henninen (cello) at The Arts Festival of North Norway (“Festspillene i Nord-Norge) at Galleri NordNorge, Harstad, Norway. More info.
2014–05–23: Performance of Misantropi IIIa at Ambassaden in Aarhus, Denmark, by Aksiom Quartet.
2014–05–22: Performance of Misantropi IIIa at Trondheim Kunsthall in Trondheim, Norway, by Aksiom Quartet.
2014–05–21: Performance of wenn es winter ist, by Andreas Borregaard, Mikkel Sørensen and others at Ny Musikk in Stavanger, Norway. More info.
2014–04–26: Performance of Licht (from Lichtbilder for solo violin) performed by Sara Övinge at Ulefoss Hovedgård during Norsjø Chamber Music Festival, Telemark, Norway. More info.
2014–04–14: wie tau von dem frühgras for 7 instruments, performed by Mimitabu at Koncertkirken in Copenhagen, Denmark. More info.
2014–04–13: wie tau von dem frühgras for 7 instruments, performed by Mimitabu at the Royal Academy of Music, Aarhus, Denmark. More info.
2014–04–05: Premiere of Misantropi IIIb for Aksiom in Grønland kirke, Oslo, Norway. More info.
2014–03–20: Premiere of Blätterwerk for choir, clarinet, accordion and cello, performed by Bergen Domkor in the Bergen Cathedral during the Borealis festival 2014 in Bergen, Norway. More info here and here.
2014–03–09: Danish premiere of wie tau von dem frühgras for ensemble, performed by the DKDM Sinfonietta during the PULSAR festival in Copenhagen, Denmark. More info.
2014–03–06: World premiere of tierhaft. engelsgleich for ensemble, performed by Athelas Sinfonietta during the PULSAR festival in Copenhagen, Denmark. More info.
2014–02–26: Second performance of Misantropi IIIa, by Aksiom Quartet at Biermannsgården in Oslo, Norway. More info.
2014–02–21: World premiere of Misantropi IIIa, performed by Aksiom Quartet at Tou Scene in Stavanger, Norway. More info.
2014–02–09: Zukunft for string quartet, performed by the Chartreuse Quartet at the Green Mill Cocktail Lounge in Chicago, IL, USA.
2014–01–25: Second performance/German premiere of passe – revient for solo accordion and ensemble, performed by Grzegorz Miszczyszyn and ensemble recherche at Morat-Institut, Freiburg im Breisgau, Germany. More info.
2014–01–18: Zukunft for string quartet, performed by the Chartreuse Quartet in Warner Concert Hall at the Oberlin Conservatory, Oberlin, OH, USA.

2013

2013–11–15: wie tau von dem frühgras for 7 instruments, performed by Mimitabu in Gothenburg, Sweden.
2013–11–13: wie tau von dem frühgras for 7 instruments, performed by Mimitabu at Kunstindustremuseet in Oslo, Norway. More info.
2013–11–11: The center cannot hold for solo accordion, performed by Grzegorz Miszczyszyn in Kulturkirken Jakob, Oslo, Norway. More info.
2013–11–11: wie tau von dem frühgras for 7 instruments, performed by Mimitabu in Gävle, Sweden. More info.
2013–10–20: World premiere of wie tau von dem frühgras for 7 instruments, performed by Mimitabu during the Magnet festival in Vara, Sweden. More info.
2013–09–08: Third performance of wenn es winter ist, performed by Andreas Borregaard, Mikkel Sørensen and others in Nordens hus, Torshavn, Faroe Islands.
2013–09–07: Second performance of wenn es winter ist, performed by Andreas Borregaard, Mikkel Sørensen and others in Vágur, Faroe Islands.
2013–09–06: World premiere of wenn es winter ist, performed by Andreas Borregaard, Mikkel Sørensen and others in Miðvágs kirkja, Faroe Islands.
2013–09–06: World premiere of passe – revient for solo accordion and ensemble, performed by Grzegorz Miszczyszyn and ensemble recherche during the Ultima Oslo Contemporary Music Festival 2013 at the Norwegian Academy of Music. More info.
2013–04–17: Canadian premiere of Zukunft for string quartet, performed by the Bozzini Quartet during Salon qb at the Chapelle historique du Bon-Pasteur in Montréal, Canada. More info here and here.

2012

2012–11–23: World premiere of und die findigen tiere merken es schon for ensemble, to be performed by Nouvel Ensemble Moderne at the Université de Montréal (Salle Claude-Champagne) in Montréal, Canada. More info.
2012–11–18: Second performance of Zukunft for string quartet, performed by the Bozzini Quartet at the Bergen Public Library in Bergen, Norway.
2012–09–12: World premiere of Zukunft for string quartet, performed by the Bozzini Quartet at Parkteatret during the Ultima festival in Oslo, Norway. More info.
2012–08–31: Icelandic premiere of points clos / éclats brisés, to be performed by the Siggi string quartet at the UNM festival in Reykjavík, Iceland. More info.
2012–06–20: Exam concert at the Norwegian Academy of Music, Oslo, Norway. Performed pieces include The center cannot hold (solo accordion), points clos / éclats brisés (str. quartet), (trans)paraître (perc. and ens.), Hälfte des Lebens (music box for Friedrich) (soprano and ens.) and Endnotes (str. quartet).
2012–06–12: (trans)paraître for percussion and ensemble performed by Anders Kregnes Hansen and Aksiom at the former’s exam concert at the Norwegian Academy of Music, Oslo, Norway. More info.
2012–05–28: World premiere of Endnotes for string quartet, performed by the Stenhammar Quartet in Uppsala, Sweden.
2012–05–08: The center cannot hold for accordion performed by Grzegorz Miszczyszyn at the Musikkbaren concert series at the Norwegian Academy of Music, Oslo, Norway.
2012–04–25: Polish premiere of The center cannot hold for accordion, performed by Grzegorz Miszczyszyn at Aula Florianka, Kraków, Poland.
2012–03–28: World premiere of (trans)paraître for percussion and ensemble, performed and commissioned by Anders Kregnes Hansen with Aksiom at the Norwegian Academy of Music, Oslo, Norway. More info.
2012–03–23: World premiere of The center cannot hold for accordion, performed and commissioned by Grzegorz Miszczyszyn at the Norwegian Academy of Music, Oslo, Norway.
2012–03–01: points clos / éclats brisés, world premiere of the revised version, performed in The University Aula, Oslo. Norway, during the Vinterlyd festival. More info.

2011

2011–12–04: World premiere of into the rose-garden. breitpinselnegation für orchester, performed by the NMH Symphony Orchestra. The University Aula, Oslo, Norway. More info.
2011–10–06: Réfractions for solo double bass to be performed by Nikolai Matthews at Ny Musikk’s lunch concert. Ny Musikk, Oslo, Norway. More info.
2011–09–24: Performance of Subdued music for solo cello, performed by Ensemble Modelo 62. IKM, Oslo, Norway. More info.
2011–09–17: Misantropi I for violin, guitar and double bass performed by Aksiom at Exit, the final concert of the Ultima festival. KHiO, Oslo, Norway. More info.
2011–09–13: Irrganger for ensemble performed by Aksiom at the Ultima festival. NMH, Oslo, Norway. More info.
2011–08–28: World premiere of Réfractions for solo double bass, performed and commissioned by Nikolai Matthews. Oslo Musikklærerforening, Oslo, Norway. More info.
2011–08–23: Danish premiere of Irrganger for ensemble, performed by Scenatet conducted by Rei Munakata at the UNM festival. Huset i Magstræde, Copenhagen, Denmark.
2011–08–15: Performance of Irrganger for ensemble by Oslo Sinfonietta conducted by Halldis Rønning at the Oslo Chamber Music Festival. Gamle Logen, Oslo, Norway.
2011–06–21: World premiere of Subdued music for solo cello, performed and commissioned by Sverre Kyvik Bauge. NMH, Oslo, Norway.
2011–05–18: World premiere of points clos / éclats brisés for string quartet, conducted by Ondrej Adamek. Centre Culturel Tchèque, Paris, France.
2011–04–02: World premiere of anti-Eroica, performed by Aksiom at their Radbrekk concert. Caféteateret, Oslo, Norway.

2010

2010–11–12: World premiere of Souffrance for soprano and sinfonietta, performed by Ditte Marie Bræin and the NMH Sinfonietta conducted by Lars-Thomas Holm.
2010–10–02: World premiere of Irrganger, performed by Aksiom at their debut concert. Grønland kirke, Oslo, Norway.
2010–09–23: Finnish premiere of Misantropi I, performed by Karin Hellqvist (violin), Ole Martin Huser-Olsen (guitar) and Inga Margrete Aas (double bass). Sibelius Academy, Helsinki, Finland.
2010–09–10: World premiere of Lichtbilder for solo violin at the Ultima festival, performed and commissioned by Sara Övinge. Museum of Contemporary Art, Oslo, Norway.